It’s been a very cool spring – even by NW Oregon standards. April set a record for the wettest ever recorded so native plants planted in late February & Early March have been slow to emmerge. Still, it’s been thrilling to watch the ferns unfurl and various flowers to reveal themselves in my native plant garden. I’ve been adding some artistic touches with some old sculptures of mine scattered about the garden.
One great find at “Hortlandia” was a little table made of scrap wood for a top and legs of thick curly willow. I added two small benches cut from the stump of an old walnut tree that was taken out a few years ago. and sorely missed. Now I have benches to remember it by This area is my fairy tea spot.
I recently divorced Instagram. This last year or so was the big social media Instagram experiment. Almost everyday I posted the off-the-cuff doodles I draw on the right side of my day planner under my tag @almostdailydoodle (still there!) The upside is that it makes a tidy little record of my innocuous art online. The downside is how much time Instagram was sucking from my life with all the posting, checking, liking. I thought I was above all that- I guess not.
Doodling is my morning creativity workout. It has become my main art form as of late, downshifting from ceramics and printmaking. It is fun to show my art now and again so I thought I would post them here occaisionally and see how it goes in a blog format.
The title of this post is the first line of Mary Oliver’s poem “Wild Geese.”
The poem continues:
You do not have to walk on your knees
for a hundred miles through the desert repenting
You only have to let the soft animal of your body
love what it loves……
I came upon this poem years ago. It was the first poem that I loved, that I could pull around me like a homemade quilt. It became my anthem of sorts.
Now the interesting thing is Oliver did not set out to write a greatest hit, nor any work of great meaning. According to an interview with OnBeing, she created this poem quite informally to illustrate the difference between end-stopped lines and enjambment to another poet. But words are powerful and when she released this poem to the world it spoke deeply to many people. It’s become one of her most loved poems.
For me, it permitted me to do the work I needed to do regardless that I sucked. Do it anyway. Over the years I’ve agonized over my work like every other creative, but her poem on my wall makes me understand that it’s not the likes, the money, or the accolades. I do not have to suffer for my art. Ultimately, it’s the daily practice of doing and honing my craft. It’s what my soul calls to me to do (which did not include quitting my day job).
Time is no excuse. Write the poems in grocery lines, at stoplights (using voice memo), doodle designs in boring meetings. The dream won’t happen unless you do it- unless you listen to the voice of the wild geese within.
I never was interested in poetry until I read “Wild Geese” until I read Mary Oliver and discovered more poetry. Now I write it. Here is the poem in its entirety…
I have had this unfolding conclusion that I do not have to accept my own mythology, my notions of limitations and inabilities, as written by others or by myself.
My first inkling of this concept was in my junior year of college. One of the most popular electives on campus was “ballroom dancing”. As a child, I was told indirectly that I was clumsy and uncoordinated by family nicknames that were not so endearing. I bought into it telling myself I could not do a cartwheel or any of the other physical badges of honor that young girls collect. Still, I needed an elective and wanted to see what all the fuss was about. Lo and behold I proved myself wrong. I was doing the jitterbug, swing, rumba, waltz, and the like. Not only was I good, but I also loved it!
A more difficult life script to rewrite was the notion of “I’m not good enough” which I dragged around since childhood like a large overstuffed suitcase (without wheels). This one is rather toxic for the soul, especially if one is an artist or writer, like me. It’s the one that tells me “I can’t, I’m too old, I’m too flawed, I don’t have the right training, I’m too this, too that.”
Three years ago at age 63, I decided that, no, I wasn’t too old to pick up the guitar again, traded in my old one for a lovely tenor guitar I love, and started to take lessons. I don’t learn as quickly as in my younger years but I am so grateful I got over myself and started again. What a joy music brings! A year before that I started to write even though, no, I was not an English major- but so what. I’ve gotten better. I have two blogs, I’ve gotten published but beyond all that I love the process. All from recrafting my story.
I found that I can rewrite that, ?YES, I am good enough and I will commit to honing my craft no matter where I am at be it as a visual artist, writer, musician or ____________.
An advantage of meditation is being able to recognize that old script playing in my head. I can disagree with that voice in my head, “Sorry, you are so WRONG!”, show that voice the door and change the station with a positive script that reads…
“The Journey of a Thousand Miles begins with a single step”- Lao Tsu
This is one of my favorite quotes. It’s been a mantra for my life. I would add to that “keep going.”
Sitting down to a blank canvas or piece of paper can be daunting. Procrastination takes over. but it’s action that inspires creative energy not necessarily the other way around. Risk is inherent for a full life and with that risk comes failure. Any type of artist will tell you that you have to be willing to fail to learn. Just check out their recycle bins. Only their best work goes on display.
I just finished planting my native plant garden. It looks very sparse right now as the plants are still sleeping awaiting the arrival of spring. I’ve been rather awed by how this project manifested in relatively a short amount of time considering my lack of knowledge. Like the rest of my pursuits, it started with an idea followed by one action after another. I’m sure I have made some mistakes. So be it. Completion is my preference over perfection.
Commitment is a powerful force. The hardest part is starting and getting past the fear. I wrote this poem about it.
My only big regret in life is that I didn’t take the time to document my experiences more. I’ve kept a journal on and off since I was 16, which is admiral, but I wish I had expanded my entries to snippets of sensory experience and fascinations other than just emotional spew. But, in my defense, I was a teenager and I avoided language arts classes finding them tedious.
Looking back even recording one thing that made my day would have been such a precious collection to look back on. No one told me then that those little vignettes from my life in Alaska, raising my son, and those hilarious “kids say the darndest things” moments teaching 6th-grade science would be so longed for. Of course, I have hundreds of photos but without some words as accompaniment, they are incomplete memories. I was always too busy, thinking I would remember everything. Then “poof” those clear memories vanish like steam. The same goes with some solution to a nagging problem or those creative inspirations I get as I drift off to sleep.
From my journal. After a few years I’ve realized that the “new abnormal” is the new normal. As if the old normal wasn’t challenging enough! Here are my strategies to navigate this ever changing world, subject to change of course.
I enjoy working with clay bodies other than white (see my post The Color of Clay). In my work, mostly sculptural, glaze functions as an embellishment rather than the main attraction. This comes from my aesthetic and my dislike of the glazing process! I find the contrast between the glazed and the unglazed piece quite interesting, especially with a toasty or reddish clay. Two years ago I started working with this black (actually a deep chocolate brown toned) clay body.
Clay gets its color from certain minerals and pigments. Iron oxide is what makes terra cotta clay red. In the case of black clay, the color is from burnt umber. It is a pigment in short supply these days so a bag of clay will cost you a few dollars more. Any highly-pigmented clay is messy to work with and this is like working with black mud. Wearing a good apron is key. Regardless, the end result of this clay is worth it.
Two years ago I started a daily doodle practice after challenging myself to do something artful every day. I’ve written about this before on this blog but I thought it worthy to bring around again being the New Year .
I decided about the only thing I could successfully commit to doodle in the 2” square of my day planner since it wasn’t being utilized for anything else. The ground rules I made- use pen, no erasing, no self-criticism, go back over it later and add to it if you want. Be spontaneous and just see what comes up. Often I only see the merits of an entry until I let it sit for a day or weeks later. Sometimes I take the previous day’s idea and make a different version of it.