There are times you will find yourself mired in a quandary. Sometimes the solution becomes clear in a relatively short amount of time and in others it takes a while to get clarity. Making art is a great metaphor for life in this regard.
I’ve had two art pieces that were finished – but not. Some things were missing and I did not know what. So I let them sit for weeks revisiting them from time to time. I had to let the questions percolate within me for months and be patient. Recently, I finished both pieces. All that mulling worked out in the long run.
The collage (“Somewhere Over the Rainbow”) piece pictured was mounted on a cradled (dimensional) board. Over the weeks I added more marks and contrast but it still wasn’t enough. I finally came to the realization that it needed a more definite frame around it. Thus I purchased a bigger cradled board, flipped it around, painted it a deep plum, and then mounted the collage board within it. Voila- closure!
The ceramic mask was the same way as I tried bits of this and that over weeks. In the end, I replaced the headdress of wheat with two lovely feathers, mounted a piece of an old earring on the forehead, and then glued brass nails around the neck area. That last step made the formerly boring piece really shine.
In both cases, it took me about three months to get resolution. The muse can be slow. Rushing won’t work. I do this same process with my writing. Put it away and let it stew for a while. There is nothing like having fresh eyes when looking upon a problem.
Solutions will come. Sometimes you just have to slow down and be patient!
Three years ago I started this blog to promote my artwork because that’s what “everybody” said you should do. (See “I was supposed to be Blogging About my Artwork”) I had no idea how to start a blog, nor post, and what do I write about?? I started anyway and when I got a “Like” and a “follow” on my first post I was stunned that someone actually enjoyed what I wrote!
Three years in writing a blog post is a weekly ritual. In the process, I’ve developed a love of writing and have gotten several pieces published along the way. It’s become a meditation of sorts, thinking about what’s been important to me in the week to share. The practice of blogging keeps me grounded. Some posts are better than others. Showing up is the important part. Originally I thought it would be more of a show and tell of my visual art process. My intuition told me to do otherwise and as a result, my artwork has taken a more back seat. This really is just a blog about me on the creative journey we call life.
Then there’s the takeaway from reading the blogs of others. I’ve gained a lot of perspectives just from reading about the experience of fellow bloggers and commenting on their posts.
Putting up this blog was a creative risk. Every time I post is a creative risk. But it’s with those risks we take we grow so much! Ultimately the most important thing is that my personal expression satisfies myself. I still don’t know exactly what I am doing but that is what makes it such an adventure. If you have been toying with the idea of starting your own blog, just do it. There are so many tutorials right on WordPress to help you on your way.
Soon to come this year is a second blog dedicated to tips on sustainable living. Also, I will be including some of my artwork on the bottom of posts just in case anyone is interested. Stay tuned….
“There is more to life than increasing its speed” Mahatma Gandhi
One of my intentions for the New Year is to manage my time more effectively. As a creative type, I am constantly let astray by shiny distractions – a crow woman of sorts. I found two books that are very helpful on the subject.
“Make Time” by Jake Knapp & John Zeratsky gives clear strategies to simplify and prioritize your day in a way that will give your life less stress and more meaning. The two authors are self-described “time dorks.” They were so overstressed in their high tech world that they developed simple techniques to really focus on what matters by doing less. Besides providing you with a simple daily template this book is chalked full of strategies to help you deal with digital distractions, tips to eat and sleep more effectively, and even how to get the most out of your caffeine habit!
Then there is “Manage your Day to Day: Build Your Routine , Find Your Focus, & Sharpen Your Creative Mind”published by 99U. This compact little book is geared more to the creative than Make Time. There is also some overlap. Each chapter is written by a different person in creative fields about building a successful creative routine. The chapters are short, there’s a lot of quotes(I love quotes) and you can open anywhere in the book for a little pick-me-up.
Check these out. Best wishes for a creative New Year!
“If you want to create something worthwhile in your life, you need to draw a line between the world’s demands and your own ambitions”Mark McGuinness
I am captivated by tide pools. They are little worlds unto themselves full of creatures and plants of all sorts that seem to thrive at the restless edge of the ocean. Some organisms are attached like anemones, barnacles, rock fucus and, mussels. Some move slowly like starfish, urchins, and chitons, Then there are the quick and nimble tiny crabs and fish. Always there is a palette of color full of glowing greens, oranges, and reds.
Recently I gave myself the challenge to capture the wonder of tide pools in my art process.
Unfortunately, all my prints like the one pictured on the right either wound up in the recycling or in my collage box to be cut up for later use. Rather than doing more of the same, I knew I had to come up with a different creative solution. Instead of interpreting a tide pool in a literal sense I decided to capture the essence of one as I felt viscerally- that is in terms of color shape, texture, and feeling.
This piece on the left as pictured is what I came up with using that other creative solution. I collaged bits of my failed prints into this finished piece giving them a bit of reverence. Without those “mistakes” I would not have been ultimately successful. Overall I am very pleased with this print- it conveys what I feel.
So what does all of this have to do with math scores? After I finished this piece was finished a blurb came up on the radio about Oregon’s math scores being among the lowest in the nation. I stopped what I was doing, listened and pondered that information. Memories of teaching 6th-grade math for 2 years came flooding back and all its frustrations. A majority of my students entered my classroom without a clear grasp of basic math facts yet they were pushed onto higher-level math prematurely. Because of that many struggled, especially with fractions and division with the designer, scientifically based curriculum we were given to teach. (Not one of my 6th-grade students knew how to measure correctly with a ruler at first yet most could operate a smartphone). Yet the powers above pushed harder with more rigor and more testing.
So back to art. There is an amazing amount of problem-solving and creative thinking that occurs in the artistic process. In my baby boomer education, I started using a ruler in first grade for art projects (think required margins) on up through the higher grades We played the recorder and learned music. In secondary school, there was required cooking, sewing and shop classes. All of these required applied math in terms of measurement and understanding of rhythm in music. We understood fractions. In today’s educational environment the arts have been cut in favor of the core subjects, especially math.
My “out of the tide pool” solution to low math scores? Look for a less literal solution. Put the arts back in education on a daily basis and give students something to apply their math too. Oh…and let them have a little fun. Children need creative outlets! And to that old adage I heard so many times, “You can’t make a living as an artist” I say right back, “Most can’t make a living as a mathematician either!” Maybe have students visit tide pools too. Who knows what that kind of experience might inspire?
Every October the Art Harvest Studio Tour provides an opportunity for local artists to open up their studios for the public to get an intimate look at their work and process. Thirty or so juried artists about Yamhill County, Oregon participate. Studios are open for the first two three day weekends in October. Some artists are clustered in the local towns and others, like me, are peppered about the wine country in quaint settings. Art Harvest is in its 27th year. To visit studios there is an $8.00 fee for a button which acts as a wearable ticket to gain entry to the studios
For some Art Harvest is a purely recreational experience, making a fun day with friends, buying a few small items and going out for a nice lunch in between. Others are serious art buyers looking for unique pieces to purchase directly from the artist. Some drive as far as 200 miles away to make a weekend of it or fly from across the country to visit relatives during tour time.
For artists, it’s a chance to have a more interactive experience with people while avoiding the commissions and control that galleries levy. Often being on the studio tour can lead to other sales and contacts. I made sure I had items such as magnets and notecards of my prints that were only $5.00 for “takeaways” and for gifts. Most of my things were in the $20 to $50 range on up to a sculpture for $380.
I was on the tour 20 years ago and then had a hiatus for a teaching career and raising my son. Now in retirement, I thought I would give it one more shot. It’s a huge undertaking and expensive for the artist. The entry fee is $300 which pays for the glossy catalogs, advertising, buttons and a part-time coordinator. Artists must also volunteer on one of the many committees to make the tour function. On top of that, I had expenses of at least $200 for art supplies and display materials. That means I had to earn $500 before I would start to make any type of profit (For anyone wondering why art can be expensive, this is why!) Here is a timeline of the tour experience for the artist…
March– Submit application, images, and fees
April– juried in. Continue to amass a volume of work in ceramics and mixed media monoprints.
Summer– attend committee meetings. I served on the education committee to facilitate school children visiting participating studios. Make more art!
August– drop off two pieces of work to be in the Chehalem Cultural Center show running for the months of September and October. (Many stop by this exhibit first to decide which studios to visit). Be filmed by a local cable access show called Arts Alive. (See video here. My spot starts about 15 minutes in)
September– distribute signs and programs to local businesses and organizations. Get work framed. Clean out the studio with a dear friend who offered to help me. Drape tables, add lighting, hang wall pieces and arrange ceramics on the tables. It’s a huge undertaking to get a studio from a workspace to a display area!
October– Price all work. Place bright yellow At Harvest signs along the routes leading to my studio. Oct. 4-6 AM and Oct 11-13 open my studio from 10 am to 5 PM.
Fridays were very slow so I had time to finish up items not yet completed. Saturday & Sunday could get quite busy. I tried to spend as much time with people as I could to visit and answer questions. In between weekends I made a new herd of ceramic sheep as the first one was almost sold out. The following week was spent in recovery mode. I’m not used to that much talking and being “on” since I taught middle school!
Overall, the studio tour was a great success. Beyond making a respectable profit, it was so sweet to get such validation of my work. I had numerous visitors make a beeline for my studio after seeing my pieces at the Cultural Center show or seeing my page in the program. My new work is quite eclectic and unusual. Working alone as most artists do, I
have to work hard at times to keep my insecurities at bay so having such positive feedback was food for my soul. Thematically I range from whimsical to spiritual depending on what needs to manifest. It’s not for all but there were a fair number of people that resonated with it and gave me positive feedback. It was a great time to make new friends and connect with old ones
I let a few favorite pieces go during the sale. Thes beautiful pieces were kept in storage as I had no place to put them in my house. I was surprised at the twinges I felt as some of these were purchased and left the studio with happy customers. But art should be seen and enjoyed, not hidden away so they needed a new home. I was especially pleased when they were adopted by friends.
If you have not participated in a local open studio tour, try it! Lookup for them online in your area or afar. It will take you on a mind-opening adventure with not much expense.
“Have no fear of perfection – you’ll never reach it.” ― Salvador Dali
So you walk into an art gallery or an art festival and there is the fruit of the artist in all of its magical glory, looking like it was created effortlessly. What you don’t see is the plethora of mistakes and sometimes heartaches that go into making art. It’s a part of the process. If you aren’t willing to fail, you are not going to learn. This is especially true in the medium of ceramics. There’s no way you can work with mud and transform it into permanent objects without running into some challenges. There are so many variables to contend with in the making- construction, drying, firing, glazing, and firing again at a temperature around 1800 degrees Fahrenheit.
This week before my open studio on the Art Harvest Studio Tour of Yamhill County I opened my kiln to find my share of disappointments. The beautiful grape leaf plate on the upper left (traced from one of my grapevines leaves) has a crack down from the notch of the leaf shape. It’s still lovely but not saleable. I’ll use it though. No one will notice under a pile of carrot sticks. Those three lovely bowls with incised grape leaves rubbed with iron oxide all cracked. This was a puzzle. Maybe they got jostled when I removed them from the press mold? These will become part of a mosaic on my future walkway. Then there was the barn owl sculpture with hairline cracks in two places – maybe from cooling too quickly in the pit fire? I love this piece though and I am not sad to keep it.
The failed prints I have cut up and am using in other incarnations such as “quote blocks,” little sculptural pieces with collages.
Thankfully, there will be plenty of other lovely things to look at my studio sale- but the invisible mistakes will be just as much a part of it for me.
They are the cracked
The not quite right
Products of my hands
Victims of experimentation
Or forces beyond my understanding
Sometimes their enduring beauty breaks my heart
Their fatal flaw rendering them undesirable to others
I’m going back to just making art and not being an artist. Having had the goal for years of being a successful artist, I recently woke up to the fact that indeed, I had arrived. That means I’m good with where I’m at. It’s kind of like where to stop on a painting without overworking it. Once I attained the label of “Artist” it came with art fairs, shows, social media, websites, marketing, basically business. I am NOT a business person and am an introvert on top of it. Looking back I had way more satisfaction when I was just playing around and gifting my work to friends and family. Seeing looks of delight on their faces was payment enough.
I used to think that being accomplished was something akin to notoriety, profit, fame, status or similar. Now, I’ve come to the conclusion after many years, that for me, fulfillment is in the creative process and the sharing. Monetary gain is just an added bonus. It’s kind of like fishing. It’s great being out in nature no matter what and if you catch a fish- even better.
Now that I have less of my life before me than behind me, I am becoming very mindful of how I spend my life’s energy. Do I want to spend hours at my computer marketing my work on Facebook, Instagram, & Etsy? What am I giving up to do that? After experimenting with all that the last few years, it’s felt too sleazy, like dressing in clothes that aren’t me. Do I really need to brand myself? Seriously, I don’t want to fit in a box like Ritz Crackers. Art galleries are there for a reason. They take 50% of sales but they could work on the selling while I could be out hiking.
Author Marsha Sinetar, famously said in her 1989 book titled the same, “Do what you love, the money will follow.” Well, maybe. For me, it’s turned out to be “Do what you love because you love it- and get a day job that you can tolerate”. Retirement works too. Otherwise what you love may turn out to be another form of the daily grind.
It’s an individual thing crafting a creative life. THEY (whoever THEY are) may say do this and that, but ultimately it’s very personal what being successful is. For some, they are content with the time invested in marketing themselves. Their time is justified. I applaud them. But for me, creativity is a spiritual experience. Monetizing it takes away the joy. So with that realization, I am taking the priority of selling my art out of the equation.
My last public show will be the local Art Harvest Studio Tour in the first two weeks in October. Lately, I’ve been in the studio doing lots of work. I will have an array of mixed media prints, found object sculpture, and ceramics on display. After that, my remaining pieces will be in local galleries and online light. Then, I’m going to design that patio and walkway I’ve always wanted, write more, play more music, and do more hiking. See you on the trail!