The Art of Earth, Wind, Fire & Water

IMG_0819 (1)While I was at Ghost Ranch two weeks ago (see my post “Escaping to an Artful Landscape”)  I took a 5-day long pit firing workshop.  Long before we had electric and gas kilns to fire clay, indigenous people including Native Americans, extracted their clay from local deposits and fired their ceramic ware in pits they dug into the earth. Wood, droppings and other combustible materials were placed around the pots and then

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Image courtesy mikusa.com

covered with shards, moist clay or more wood.  The pit was then lit on fire and tended for hours.  This is the oldest known method of firing pottery.

Though pit fired ware is generally not as sturdy as those fired at higher temperatures in modern kilns, they can be quite beautiful- especially if the surface is burnished beforehand.  Depending on where the pot is in the pit can affect how the surface responds to flame, smoke, and oxygen. The addition of other salts around the pots can also create colorful patterns. Ceramic artists today are modifying the basic techniques and achieving

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image courtesy Eduardo Lazo

stunning results. I’ve been attracted to this method since it is so primitive & close to natural processes. Beautiful useful and decorative items can be created using only the four elements (there is water in the clay).

Due to time constraints and high fire danger at the time, we had to modify our firing methods.  Instead of digging pits we had to fire in galvanized tubs and had to fire for shorter amounts of time.  Our pieces did not achieve the range of IMG_0882colors that can be possible.  Still, I understood the process, had fun,  and plan to try this behind my home clay studio.

Below are are some of the pieces I made during the workshop.

 

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The 3 sheep were inspired by the black sheep running loose on the ranch.  I identify with black sheep!

 

 

There is No Word For Art in Their Language

IMG_1344-001When I was in Juneau, Alaska last summer I had the opportunity to visit a wonderful exhibit of native masks in the Sealaska Native Corporation Gallery.  As I perused this captivating collection, I stopped and read an informational plaque on the wall.  I was struck while reading it that the SE Alaskan native cultures do not have the word “art” in their language.

When I returned home I researched further and found that many native cultures worldwide do not have the word “art” in their language.  In Bali the word for artist and human being are the same.  According to Aviva Gold on her blog “Painting from the Source”

……if we are all art makers by virtue of being human, why would we need a special word for art maker? And if “Art” is not a thing, but rather a natural way of life, connection with nature, daily worship, breathing, just being in the moment, then what use is there for the word “Art”? Art and living are the same. Art is complete living.

What a contrast to our modern culture where most are spectators to the arts.  We go hear music rather than play, go to art exhibits & revere artists as some kind of alchemists that should be worshipped.    We have been removed from our tribal nature, sectioned off into individuals on our own devices, so connected, yet so separated.

 

There is No Word for Art

There is no word for art in their language

It is infused in the fabric of their culture

Adorning their bodies and homes

With sacred symbols

On baskets, clothing, totems, rocks

 

It is the voice of spirit expressing

Woven within The Peoples’ memory

Through legends

Passed down through generations

 

Around fires on cold winter nights

The People share their stories in the singing of songs,

And in the dancing of dances

While the drums beat

The children watching intently

 

There is no word for art in their culture

Here everyday items, masterpieces

By everyday people

Not gods

For they are all artists

They know no other way

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